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ENNOIA 1 (8:12)
1998
for pipe organ and electronic sounds

The composition consists of a live pipe organ part and two channels of prerecorded electronic sounds. The performance score places the graphic notation for the organ in the middle of the page with two different visual depictions of the electronic sounds. The top image is a waveform display in the amplitude domain while the bottom image is the same waveform display in the frequency domain. These are correlated to specific timings indicated on the horizontal axis beneath each graph. The organ part roughly corresponds to these same timings with specific interpretations of the graphic notation to follow. These graphic notations constitute a set of macro significations for various types of activity and not a literal one-to-one set of actions. In general, the organ is to match levels with the electronic sounds such that an overall blend is achieved. The result is a constantly evolving/fluctuating wall of sound. The graphic organ part was derived from spectral drawings that were also the generative source for all of the electronic sounds.

credits

from At The Margin of The Sensate, released April 15, 2023
Gary Verkade - pipe organ

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David Dunn New Mexico

David Dunn was born in 1953 in San Diego, CA. From 1970 to 1974 he was assistant to the American composer Harry Partch & remained active as a performer in the Harry Partch Ensemble for over a decade. He has worked in a wide variety of audio media inclusive of traditional & experimental music, installations for public exhibitions, video & film soundtracks, radio broadcasts, & bioacoustic research. ... more

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